Amidst
the violence presented in this independent film, it is shown that
there is no actual villain or antagonist because it focused on the
life's adversities of the people, or may we call it somehow as, “man
vs society conflict”.
Different
cruelties of life experienced by the characters in the film, but in
totality, the word POVERTY highlighted it all. It presented the
reality of life and gave us the bird’s eye view, especially the
lives of the people living in the slum and filth areas.
Due
to poverty, there are some people who tend or opt to go into illegal
jobs just to find money and make a living. One of the factors that
one may enter into illegal jobs, is that, they don't have the
educational background that's why they prefer to do it for the sake
of their family's needs.
image source: google |
The
protagonist of this film was played by Maximo Oliveros, a loving and
caring gay who never get influenced by the violence done by his
family and who’s been in love with a police officer. His utmost
love and care to his family were his strength. He became the “lady”
in their home after her mother passed away.
image source: google |
The
intervening characters played by his father Paco, brothers Boy and
Bogs and his crush police officer Victor were the ones who helped and
shaped the character of Maximo.
On
the other hand, diegesis was applied to the film, especially during
the scene where some aggressive policemen went to his house to find
and look for evidence and to seize if his family is using drugs and
pistols. The next focus of the camera was the middle shot of Maximo
showing with a confused face. Then the next frame was when he went
inside the house seeing all their things in a mess. The diegesis in
here was seeing the total mess of the things in their house without
seeing the shot or frame where those policemen made the total mess in
their house.
This
film is a mesmerizing piece of actually in the midst of family,
crime, poverty, forbidden love and everything in between. Also, this
film is an eye opener and an educational film, especially in
accepting the third sex in the society.
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